Quoted from timab2000:No I do not have an airbrush. But I am working on figuring it out. Way too heavy on the coats of paint and not being patient enough on letting it dry somewhat, before peeling.
Practice make perfect I guess. Hopefully I'll do better on the next pin I find.
Practice makes perfect and all that jazz. I don'r know what you know and what you don't know so I will speak as if you know very little or nothing at all.
Painting is all with the wrist. The is a right way to swing a gun/can and a wrong way to swing.
The wrong way is to grab your gun or can and lock your wrist into a hard position. Then you fan the gun like it is on a string and you get uneven coats of paint because as you swing the gun away from your front and over to the side you wind up with heavy paint in front of your body where the gun is closest to your work. As you fan from side to side the paint will have lighter coats of paint because the gun alternates from being close to your work to being far from your work.
The correct way to swing a gun is to unlock your wrist and let it flex as you move from side to side with your body. You always need to think in terms of keeping your gun parallel to your work as you move from side to side. If you are holding your gun six inches away from work, flex your wrist as you move from one side of your work to the other, keeping that six inch (or 8 inch or whatever) distance all the way from end to end.
Fanning your gun is the easiest mistake to make. Flex your wrist and work for parallel action.
May be you already know this. Maybe you don't.
Pretend you are working for the man where you have to be fast and you have to be good. Paint is expensive so you do not want to use too much and the boss will only tolerate occasional touch ups.
Some of you talk about working on the horizontal. I understand that. But if you can find some cheap paint to waste, try painting a scrap vertical surface so you can get the feel of how much paint to lay down before you starting having problems with runs, sags, and curtains. Go for the gusto and try to make it run or sag. It will be the best teacher that you will ever have. There is no feeling of "aw, shit" like when you make that last pass and all you can do is stand there as your paint starts moving for the floor.