Quoted from flynnibus:Except the idea of using the music in promotion or as part of your own content is damage enough because that normally would be something the artists would license for use. This isn't really about 'I get free mp3s by ripping this'.. it's the value of the property and it's association.. in addition to its performance value.
Music has value even as background... ask anyone who has tried to put on a show with zero music anywhere in the program
The thing I do see here is how we treat music different from all other forms of art thanks to the music industry lobby. I don’t personally believe we should, so these extreme measures to protect this situation bother me. I know it’s hard to police how much a thing helps or hurts another piece of art, but we go too far with music.
An example...the theme song for the TV show Friends made the creators a LOT of money. But what about the designer of the couch they used ALL THE TIME in Central Perk? I’m guessing the makers of that couch got...the price of a couch. Now, sure, it’s not as valuable to the show as the theme song was, and not particularly close. But I’d say it was worth WAY more than the price of a couch, too. Yet, there’s no protection built into law for the couch designer to see a red cent, so they won’t.
Now, that’s not to say I think we need to extend these laws so every single item on a TV set makes the creator money. And certainly something like the theme song to Friends *should* make the creators a good bit of money. But we also live in the world where only the very first season of WKRP in Cincinatti is available on DVD or streaming because of music rights. The issue is that in almost every episode of the show there are scenes in the DJ booth and in those scenes they often return from or spin up a record for the radio station, thus playing maybe three seconds of music. When they created and aired the show, they only paid for a license for their original run of the show, not a license in perpetuity. Someone bought the rights to the show to create DVDs (back before streaming) and didn’t realize this until they started production. At that point they found it more cost effective to edit the show to remove licensed music and add cheaper stuff, but only for the first season. Currently there isn’t apparently an economic model that makes it profitable to “fix” the rest of the seasons to make them available. So all we now have is unoriginal art of the first season and lost art for the rest, thanks to the music industry’s stranglehold on THREE SECOND BURSTS of music.
I’d argue that tiny amount of music should basically be fair use. It’s a show about a radio station, not a show promoting music. Or selling music. Does the music help? I mean sure. But I’d argue the amount is paltry enough that there should be *some* model where this could work. But the recording industry wants a much bigger piece of this pie than they deserve.
It’s the same as acting like they deserve any part of royalties for someone streaming themselves playing pinball. They licensed their work to appear in that pinball machine and that should include ANYWHERE that pinball machine appears, period. The fact that not only is this not the case, but that the recording industry can coerce other industries into protecting their IP *for them*, just shows how broken the system is, IMHO.
But I also contend that there are many parts of this Stern EULA that go far beyond just helping protect the music industry’s profits. This business about Stern reserving the right to brick your machine is even worse. *sigh*
Thank you for coming to my Ted Talk. *sigh*
—Donnie