** Speculations on Designer/Coder, Please **
I realize no announcement has been made re: layout design or code credit for Iron Maiden, but would Pinsiders care to speculate based on timing and whatever evidence there might be?
I did see S. Ritchie trash-talking Iron Maiden not long ago, so I'm assuming he hasn't designed this layout. Or has he? I mean, technically his pen has been sheathed since he designed SW, and that must have been eighteen months ago now. I am quietly hoping that G. Gomez was too busy with BM66 to have been involved here. (No offense.) My suspicion is that, to Stern, J. Borg is the go-to designer for music-themed pins, but was he available so soon after GOTG? I would think not. Honestly, the timing suggests Ritchie/Sheats - which would be stupendous - but Ritchie said publicly that even hearing Iron Maiden music peripherally is unpleasant.
And what coder might have been in line for this title? Did Sheats have enough time after BM66 to take this on? Or what about Dwight Sullivan?
With all due respect to the coders that brought us GOTG, I will be a lot less keen on Iron Maiden if coders other than Sheats or Sullivan are leading the charge here.
For the GOTG reveal last year, Stern made no mention of the coder right through the ship date. Early buyers had to discover this critical detail upon delivery of their pins. Not cool. Chris Franchi's art sold that pin, along with the assumption that a Borg layout would be backed up by solid code. People were mistaken/disappointed.