Back to some gameplay! I’m going to add a little bit to the review I did a few days ago on my Pinball blog
If interested, you can see it here
https://thepinballloft.com/
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I’ve had a chance to play the game now for almost 2 weeks. Maybe 6 to 8 games a day or so. At this point the initial “Holy Cow” remains but the experience is now deeper and broadened. Here are a few new observations:
It’s probably obvious to others but it wasn’t to me that playing through any of the GnR songs, I mean playing them from the beginning to end takes longer that what many consider to be the average ball time of a pinball game (3 mins). Sweet Child O’ Mine is almost 6 minutes and Paradise City is almost 7! So when you decide that you want to play 2 of the biggest GnR hits … well, you’re signing up for a tough (but fun) road. I more routinely than not, get to the last 15 seconds of a song and drain. If they only wrote sub-three minute tunes, I might slay this game.
On the other side of that coin are the occasions where I get deep into (or finish) a song. There are really some amazing moments deep in those games/songs – for example, the “whistle” in Paradise City or the flashing light sequences near the end of “Better” and when the shaker, the lights and the bass drums kick in all at once at the beginning of Live and Let Die - my gosh (goosebumps). These moments are brought to you due to the incredibly hard work of the team at JJP (Scott Larson asked Eric about this on his latest podcast and Eric said Joe Katz spent up to 80 hours coding Live and Let Die alone – and it was the very first song they coded).
There are other moments as well and these are more personal. These are harder to describe without sounding self-important but I’ll do the best I can. Here goes. When I’m a few minutes into a song and driving the rock meter through the roof by hitting the suggested shots, there are times when it feels like I’m actually “on stage”, actually playing an instrument. Somehow the performance of me playing the game/hitting the shots literally transports me to that place. I can hear the power chords in the background, the driving sound of Duffs bass and the pounding of Frank’s drum kit and somehow, I’m there, “playing” with and part of the band. It’s a very cool feeling and a strange one at the same time. Listen – I have a guitar in the Loft. I’ve taken many lessons. I’m still terrible. I have a Roland E-drum kit too and can barely bang around on it so trust me when I say the ONLY thing I bring to this experience is my pinball ability (and even that is suspect)
Another “new to me” observation is the video work on this machine. It is amazing and a shame that like most of us, I’m nose down in the game when I play and don’t spend much time watching (just an occasional peek for on-screen clues I may need to play the game). The video is really well done and the fantastic concert footage is all synchronized. I’ve taken to watching the screen when others play and have begun to appreciate the multiple terabytes of information that the JJP team processed to create this masterpiece.
Same goes for the sound. I’ve been experiencing the game from just 2 feet away for a couple of weeks and it IS amazing. I know, I know … I’ve added a sub but still, the cabinet and backbox speakers are doing a respectable job of keeping up. I started a song tonight and then purposefully stepped away from the game just to hear it from a distance. Wow. Just WOW. I don’t think I have ever heard something that was not a music playback system sound so darn good. There is no question that this is a “concert in-a-box” and every game I play on it convinces me even more that there is nothing like it in the pinball world today. This truly is a unique game, maybe even a once-in-a-lifetime game.